PROJECT: War Documentaries
The overview: In this project, we will be combining history, international relations, and multimedia to create a 12-15 minute documentary. Each member in the group will have different roles (writer, videographer, director, and interviewer). I want the documentaries to be overwhelmingly educational, while being entertaining and captivating at the same time. We will have experts come in to speak with us and go on a field trip throughout the project time (tentative - unsure; uncertain; not definite or positive). In this way, events of the past will come to life in a familiar medium (one of the means or channels of general communication, information, or entertainment in society, as newspapers, radio, or television) of today.
Project components:
1. Group component: final product (documentary)
2. Individual component: success at role; historical research paper; book report
Due dates:
Documentary viewing guides: February 19
Documentary proposal:February 22
List of questions for interview/list of interviewees: February 20
Historical research paper: February 29
Film production: March 5
Book Report: March 7
The Exhibition:
Project components explained:
1. Documentary viewing guides:
a. You will be required to watch a minimum of two (2) documentaries on your war. As you watch each of these movies, you will be required to keep a documentary viewing guide which includes style of film, and a reflection.
b. Mondays and Tuesdays, my classroom will be open after school to watch films on our big screens.
2. Documentary proposal:
a. In this project, you will be required to be in a group with 3 other students. For this project, you will be graded on individual and group effort. Some assignments will be done individually, but your final production will require a full group effort. It is recommended that at least one member of your group has access to a digital camera; one person is talented with video editing; and one person feels confident in their writing abilities.
b. Your proposal should document your collaboration in making the film:
i. Who fits the roles mentioned above?
ii. What style of documentary would you like to create?
iii. Where will you get your information?
iv. Who will you interview?
v. What are your group agreements?
1. What do each of you agree to in order to make your documentary successful
vi. List of questions/list of interviewees:
a. You must interview at least three different individuals.
i. One must be a college/graduate school professor.
ii. Other options:
1. History teachers
2. Military personnel
3. Politicians
4. Nonprofits
a. Those dealing with peace?
5. Government contractors
a. Lockheed Martin?
b. You must submit a list of questions that should constitute a 10-minute interview (you will be editing down to most important points).
i. This does not mean that you will get to every question – just shows consideration put into interview time.
4. Historical research paper:
a. This paper is the bulk of your research. You will be responsible for a war America was involved in.
b. In this paper, you will also explain…
i. what actually happened in this war
ii. who was involved
iii. who was president in the nations involved
iv. what were the various policies at that time
v. what changed because of this war
vi. who “won”
vii. what happened after the war
viii. various endings – what would have happened if the war ended differently
1. do not just speculate – back up with real possibilities
c. You will need to conduct research of the history leading up to the event in the country of your study, as well as the long lasting effects that occurred because of your war.
d. This paper will be 8-10 pages in length, and in MLA format.
e. For additional help (do not rely merely on this site):
i. http://www.loeser.us/ushist.html
5. Film production:
a. As the final culmination, each team will actually produce the documentary. All people on the team must take an active role in writing, editing, producing, etc.
6. Book Report:
a. I will provide a list of novels that are based on your war.
b. You will be responsible for reading at least one from the list, and submitting a book report on the chosen book.
c. If you choose to read a non-fiction as research for your documentary, this will not count toward your book report requirement.
d. We will use the same style we use for our regular book reports.
i. If you would like to do something differently, please see me.
7. The Exhibition:
a. As with any big project, the last stage will include presenting these documentaries to the community. Each team will give an overview of what they learned and what the audience will see in the documentaries produced. Then, they will let their film roll…
b. I will also take our documentaries to the European schools I am visiting over Spring Break to compare perspectives.
i. Videoconferencing (interviews?)
Project Component: The Paper
The Overview:
This essay composes the bulk of your research for your project. This paper will be 8-10 pages, double spaced, and address the focus listed below.
The Focus:
How did this war spark other events in the world/US? What events led to this pivotal moment in history? What events were direct results of this event? How and where do we see the effects of this event in our modern day world? How do you think our world would be different if this event had never occurred?
The Format:
· 12 point font, Times New Roman
· Double-spaced, not 2.2, not 3.0
· Title page does not count as one of your pages, but must include the title of your paper, a one line summary of the war you are covering, and your name. Centered, TNR 28 pt, 16 pt, 12 pt
· Must include MLA Works Cited page that includes at least three primary sources and one secondary source. This page must be done in MLA format and does not count as one of your essay pages.
· The essay must be 8-10 pages. It should not be more, nor can it be less.
The Content:
Balancing your essay between the following five points will help guide you through your essay. While it does not need to be in this same order, keeping all five of these angles in mind will make for a powerful essay. REMEMBER TO COVER THE QUESTIONS.
Knowledge: What? Where? When?
Acquiring knowledge provides the basis for the study of history by identifying facts such as names, dates, events, and places.
· When did WWI begin?
· Where did Lee’s surrender to Grant take place?
Comprehension: Explain and clarify. How?
Understanding facts involves explaining, interpreting, describing, or clarifying them.
· Describe two events that led to WWI.
· Compare the economy of the North to that of the South before the Civil War.
Application: Apply to history/world/US. Who cares?
Apply the acquired knowledge, facts, or interpretations to our world, historically, and our present day.
· How would you apply what you know about the causes of WWI to a study of WWII?
· What long lasting effects do we still feel from the Civil War?
Supposition: What if?
Put the pieces back together in a new way; collect information from several sources; draw conclusions; create new insights (allow the inner investigative reporter in you to come out!). Hypothesize how things might have been different.
· Formulate a theory on the causes of war.
· What factors might have allowed the South to win the Civil War?
- Keep in mind that the World Wars did not only affect the United States. How did it affect other countries, as well?
Book Report
The usual format applies to this book report. If you have any other ideas, please talk to me about it first. Here is the book list...Choose a book you would like to read. You can all choose the same book, or each choose different ones. If there is a book not on the list, talk to me before you choose to start reading it. :)
Civil War:Confederate in the Attic, Tony Horwitz
Absalom, Absalom!, William Faulkner
Manhunt, James L. Swanson
The Red Badge of Courage, Stephen Crane
Incidents of a Slave Girl, Harriet Jacobs
Narrative of Frederick Douglass, Frederick Douglass
Beloved, Toni Morrison
WWI:A Farewell to Arms, Ernest Hemingway
Johnny Got His Gun, Delton Trumbo
All Quiet on the Western Front, Erick Maria Remarque
Cat's Cradle, Vonnegut
August 1914, Alexander Solzhenitsyn
The Sun Also Rises, Ernest Hemingway
WWII:
Catch 22, Joseph Heller
Flyboys, James Bradley
Slaughterhouse Five, Vonnegut
Navajo Code Talkers, Doris Atkinson Paul
The Naked and the Dead, Normain Mailer
The Young Lions, Irwin Shaw
A Thin Red Line, James Jones
To the White Sea, James Dickey
From Here to Eden, James Jones
Vietnam:The Things They Carried, Tim O'Brien
Short-Timers, Gustav Hasford
Phantom Blooper, Gustav Hasford
The Bamboo Bed, William Eastlake
Fields of Fire, James Webs
Tiger the Lurp Dog, Kenn Miller
Rumor of War, Philip Caputo
Going After Cacciato, Tim O'Brien
Iraq War:The Painted Man, Kenneth Floyd
Fair Game: My Life as a Spy, My Betrayal by the White House, Valerie Plame
Fiasco, Thomas Ricks
Lone Survivor, Marcus Luttrell
State of Denial: Bush at War, Part III, Bob Woodward
One Percent Doctrine, Ron Suskind
Cold War:Cat's Cradle, Kurt Vonnegut
The Spy who Came in from the Cold, John Le Carre
The Hunt for Red October, Tom Clancy
Manchurian Candidate, Richard Condon
The Right Stuff, Tom Wolf
War Teams
Period 1/2:WWI: Haidee (d), Addilene (i), Chelsea (v), Cori (w)
WWII: Giselle (w), Alee (d), Mayra (i), Thomas (v)
Vietnam: Bree (w), Sandra (d), Jackie (i), Hilary (v)
Iraq: Garrett (w), Chris (i), Ellis (d), Yura (v)
Cold War: Eli (i), Darnell (d), Michael Arenson (v) - all (w)
Civil War: Danielle (d), Amelia (w), Leila (i), Mya (v)
WWII special team: Enrique and Eduardo
Period 3/4/5:
Vietnam: Daniel (w), JeRevien (i), Minh (v), Nikolai (d)
WWI: Matt (d), Zoli (v), Ethan (i), Jordan (w)
WWII: Yuting (v), Paris (i), Viktor (d), Xochil (w)
Iraq: Maryross (v), Myles (i), Colleen (d), Alex (w)
Cold War: Nathaniel (i), Anna (w), Alina (v), Candace (d), Zack (extra help)
Civil War: Mollie (w), Anthony (i), Sophia (d), Mason (v)